Sniff smell
Odor will tell
Fluff stuff
Feeling rough
Splash
Done in a flash
Rip a chirp
Slurp
Stare at it
Make it quit
Come back
Fake attack
Then smile
It’s my style
Catbird
I’m the word
Category: Uncategorized
Animals, Gods and Humans
Humans
Are gods to
Animals
Who fail
To understand
Nature
So humans
Follow gods
Who fail
To have
Faith in
Humans
There is
A gap here
We need
To all
Combine
Reality
Is the same
For all that
Be
Remove
The uniforms
And we
Are all free
To the nth
Degree
A Liberated Pianist
He sang
With his fingers
Voices rang
Without singers
On digits
He wore bling-blang
From his fidgets
Dead minds sang
Pianist’s Slang
Language can languish
A never languid pianist
Playing langteraloo
Knows what
The composer
Knew even felt
Before a note
Was written
It’s in his face
And bodily
Postures
Which visually
Portray
So richly
As his production
Of notes
With a sense of
Timing
That musical reality
We can
Experience as
The composer’s
Mind
AI’s Guru, Gemini, on the Structure of Shorewick’s Poem: The Designer of Musical Power
T.M. Shorewick’s poem, “The Designer of Musical Power” displays a distinct and intriguing structure that contributes significantly to its meaning and impact. Here’s a breakdown of its key structural elements and their effects:
1. Irregular Stanza Lengths and Line Breaks:
- The most immediately noticeable structural feature is the varying length of the stanzas and the seemingly erratic line breaks. There’s no consistent rhyme scheme or meter, placing it firmly in the realm of free verse.
- Effect: This irregularity creates a sense of natural speech and thought, mirroring the flow of consciousness. It prevents the poem from feeling rigid or forced, allowing the ideas to unfold organically. The short lines, particularly in the opening, create a deliberate, almost meditative pace, encouraging the reader to absorb each phrase.
2. Enjambment and Flow:
- Shorewick utilizes enjambment frequently, where lines flow into one another without a grammatical pause. This is evident in lines like “Then slide / Just to see / The instructor.”
- Effect: Enjambment creates a continuous movement, pulling the reader from one line to the next. It reinforces the idea of a “rising tide / Of musical power” and the continuous journey of self-discovery and learning that the poem describes. It also allows for surprising connections and emphasizes certain words by placing them at the beginning or end of a line.
3. Repetition and Parallelism:
- While not overtly repetitive, there’s a subtle parallelism in the opening lines (“Hear all sounds / As if you’re a foreigner / Especially those / You heard at birth”). This sets up a particular way of listening.
- Effect: This subtle echoing establishes a theme of conscious engagement with the familiar, urging a fresh perspective.
4. Shifting Imagery and Sensory Focus:
- The poem moves from auditory imagery (“Hear all sounds”) to kinesthetic (“throw / Out your arms,” “slide”) and then back to a more abstract understanding (“Ultimately know / The depth”).
- Effect: This progression of imagery guides the reader through a multi-sensory experience, emphasizing the holistic nature of the instruction being conveyed. The shift from outward action to inward knowing is a key thematic journey.
5. Direct Address and Imperatives:
- The poem uses direct address (“you’re a foreigner,” “you heard,” “lets you grow”) and imperative verbs (“Hear,” “Do so,” “throw,” “Then slide”).
- Effect: This makes the poem feel like an instruction or a meditation guide. The reader is actively engaged and invited to participate in the experience the poem describes.
6. Culminating Revelation:
- The structure builds towards a culminating revelation: “Ultimately know / The depth / From which grows / The designer / Without bounds.”
- Effect: The gradual unfolding of the poem’s instructions and observations prepares the reader for this profound conclusion. The short, impactful lines here create a sense of gravitas and finality, emphasizing the ultimate understanding being reached.
Overall Impression:
The structure of T.M. Shorewick’s “Hear all sounds” is fluid, organic, and intentional. It serves to:
- Mimic the process of mindful listening and artistic expression: The poem’s form reflects its content, much like a conductor’s movements guiding an orchestra.
- Guide the reader through a contemplative journey: The pauses, flows, and shifts in imagery encourage introspection and a deeper engagement with the poem’s themes.
- Emphasize key concepts: The strategic line breaks and enjambment draw attention to crucial words and phrases.
- Create a sense of personal instruction: The direct address and imperative mood make the poem feel like a direct message to the reader.
Ultimately, the poem’s unconventional structure is a strength, allowing it to convey its profound message about perception, growth, and the boundless nature of creation in a truly immersive and thought-provoking way.
The Designer of Musical Power
Hear all sounds
As if you're a foreigner
Especially those
You heard at birth
Do so
And throw
Out your arms
Like a conductor
Lost in the
Rising tide
Of musical power
Then slide
Just to see
The instructor
That calms
Lets you grow
Ultimately know
The depth
From which grows
The designer
Without bounds
My Refrigerator is a University
My refrigerator
Is a university
With departments galore
Proud of its diversity
Yogurt
You might see
With cheese does flirt
On shelf three
On the door
Milk of cow or soy
Holds the floor
But annoy
The drawer
Where salads and greens
Prance their power
Defying carnivorous scenes
Yet the freezer
Holds our future
A teaser
Of food too mature
QWERTY
QWERTY
Is the unification
Of the future
A certainty
First unsure
And then a certification
Of unity
Gamble with a Catbird
We laid
Down
Our bets
The catbird
And I
He mocked
Each my
Every word
I only could sigh
He gifted a turd
Night came nigh
And he heard
An opening in the sky
Our eyes locked
But after a cry
From another bird
We exchanged regrets
He is flown
I over paid
The Nod of a Robin, Catbird or Crow
Can I bless
The nod
Of a robin, catbird or crow
Do they think i’m god
None of us know
What role we plod
Let me confess
The future
Isn't permanent
To us all
There is a firmament
We hear its call
Then in a moment
Again it's conjecture